नवकेतन...६० वर्षांचा प्रवास - Navketan 60 Varshach

नवकेतन...६० वर्षांचा प्रवास - Navketan 60 Varshach is a Marathi book written by Shashikant Kinikar and published by Pratik Prakashan. The book chronicles the 60-year journey of Navketan, a Marathi theatre group founded by Dr. Shriram Lagoo in 1953. The book traces the group's early years, its struggles and successes, and its contributions to the Marathi theatre scene. It also includes interviews with some of the group's leading actors and directors, as well as photographs from its productions. The book is a valuable resource for anyone interested in the history of Marathi theatre. It provides a detailed account of one of the most important theatre groups in Maharashtra, and it sheds light on the development of Marathi theatre in the second half of the 20th century. Here is a more detailed description of the book: नवकेतन...६० वर्षांचा प्रवास is a comprehensive history of the Marathi theatre group Navketan, from its founding in 1953 to the present day. The book covers the group's early years, its struggles and successes, and its contributions to the Marathi theatre scene. It also includes interviews with some of the group's leading actors and directors, as well as photographs from its productions. The book is divided into three parts. The first part covers the group's early years, from its founding in 1953 to the mid-1970s. This period was marked by the group's collaboration with Dr. Shriram Lagoo, who was the group's founder and artistic director. During this time, Navketan produced some of its most iconic productions, including "Shri Krishna Janma", "Kala", and "Stree". The second part of the book covers the group's years from the mid-1970s to the early 1990s. This period was marked by the group's collaboration with Vijay Tendulkar, who was one of the most important playwrights of the Marathi theatre. During this time, Navketan produced some of Tendulkar's most famous plays, including "Ghashiram Kotwal", "Ankahee", and "Kaagad", as well as other important plays by other playwrights. The third part of the book covers the group's years from the early 1990s to the present day. This period has been marked by the group's continued collaboration with leading playwrights and directors, as well as its continued production of important and innovative plays. The book is a valuable resource for anyone interested in the history of Marathi theatre. It provides a detailed account of one of the most important theatre groups in Maharashtra, and it sheds light on the development of Marathi theatre in the second half of the 20th century.